Courthouse resolution #3: Materials

Third in my series of "10 things I can find to like about the new Rockbridge County Courthouse" at Nelson and Randolph streets: The final design incorporates characteristic Rockbridge area granite (dark grey prominently veined with white), red brick (an ubiquitous building material in these parts) and the white Tuscan columns so often seen on local Roman Revival buildings (albeit ersatz, alas -- you can see the vertical seams quite clearly in person).

This view is from Nelson St., looking toward what used to be Davidson Park.

Red door

A perfect little 1928 cottage at the "new" end of Jackson Avenue.

Late afternoon again

A front porch on White Street catches the setting sun.

Serpentine walk

A wooden gate echoes the pattern of the brick walk beyond.

Although this house on Jackson Avenue is classically symmetrical, the front walk does not beat a path straight to the door (as is usual), but curves around from the side. This confounds the symmetry, but makes the front porch seem much more private - even mysterious - behind a hedge and two boxwood domes.

Top of the hill

This 1906 house on Jackson Ave. has an especially pleasing color palette, I think, particularly in combination with the lawn and brick steps.

Church on Sunday: Grace

Ivy clothes part of a window at Grace Presbyterian Church.

The congregation of this church has worshipped in this building on South Main Street since the early 1950s. Before that, it was (probably originally) a private residence, an apartment building, and a fraternity house. Now Grace Presbyterian is planning to build a new church outside of the city limits, and this old building is for sale.

One wonders what the future has in store for it.

Chinodoxia

This sign of spring was just around the corner from yesterday's garden, with the evening sun warming the beautiful brick house behind it.

Sorority Row

The crescent of five sororities at W&L, seen from Woods Creek trail.

In 1985, Washington and Lee admitted its first female undergraduate degree candidates. Fraternities had long been a center of social life on campus, so it was inevitable that "Greek" life would soon expand to include women. These five houses were completed in 2000 on a hillside southwest of the playing fields, for the members of the University's sororities.

I recently heard that a 6th sorority house is planned soon for the far left side of this group. If true, I think W&L should revisit the decision (even though a 6th may have been planned for from the start). This group of five different, but closely related, Greek/Roman Revival structures is a spectacularly successful architectural achievement for a modern institution. In scale, siting, and harmony with pre-existing buildings, it has turned out unusually well. The addition of a 6th house would cause the center of the group to fall at a void, however, rather than on the central portico, eliminating much of the power of the composition. (As I understand it, there is no room for a corresponding 7th structure on either side; if there was, 7 would work too -- though five seems just right.)

I hope the University preserves the strength of what it has in Sorority Row, and lights on an equally inspired way to incorporate additional houses.

Snow white

The dazzling, bare white branches of an American Sycamore (Platanus occidentalis) on the Washington and Lee campus.

I'm itching for spring, but one of the things I'll miss when the leaves come out is the sight of the Sycamore branches - particularly in profusion along the stream and river banks - that brighten the landscape in winter.

The building behind the tree is the Reeves Center, an 1842 house which now contains W&L's collection of porcelain and ceramics, including what is reported to be an especially fine collection of Chinese export porcelain. (I've never been in there; I'll have to take a look.)

Last light

601 S. Main St. (1858), looking very somber at the end of the day.

An eclectic garden has been constructed on what was formerly a long expanse of lawn between house and street.

For symmetry's sake

The front steps at Morris House lead to a window, instead of the door -- which is to the left.

This house, visible at the right of Cyrus McCormick in my post of two days ago, was built in the early 1840's as one of a set of four faculty residences. It is now used as a seminar and reception center, as well as guest accommodations at Washington and Lee. The designer of these varied houses made rather free with classical proportions in the porticoes, for starters, (as can be said of many such buildings in Lexington, including Washington Hall and Stono,) and you can view such deviations as charming un-academic improvisations, or provincial ignorance, (or both,) as you prefer.

(Posting rather late today, due to computer trouble.)

Where Lee died

A magnificent old tree - one of many on the Washington and Lee campus - stands in front of the house of the President.

The house was built for General Robert E. Lee when he was chosen as president of W&L after the end of the Civil War. Since then it has served as the house of the President of the University. Research has shown it to be not an original design, but one adapted from a plan book of the time. The large porch, with its low, almost transparent railings, was for the benefit of Martha Custis Lee (Lee's wife, a great-granddaughter of Martha Washington), who was confined to a wheelchair. She is said to have enjoyed watching and talking with students from her vantage point on the porch.

Lee died in 1870, at 63, in the dining room of this house.

Westward the course of empire...

The statue of Cyrus McCormick at Washington and Lee faces southeast, actually.

McCormick invented the first mechanical reaper in 1831 - when he wasn't much over 20 - and patented it in 1834. He was born in 1809 not far from Lexington, in northern Rockbridge County. (The family farm is worth a visit.) His father is reported to have worked for many years on a horse-drawn reaper, without success, and then passed his work down to his son.

McCormick left this area in 1839 for Chicago (where he founded a forerunner of International Harvester), but maintained ties here, including to Washington and Lee, to which he was a generous benefactor.

The W&L timeline states that when this statue of McCormick was unveiled in 1931, thousands of spectators turned out for the occasion.

(In the background you see the Lee-Jackson House - left - and Morris House - right - on the W&L campus. At far left is a portion of General Robert E. Lee's house, built for him when he arrived in Lexington after the Civil War. Stay tuned tomorrow for a photo.)

Stono

The double portico of Stono, in the morning light.

Stono faces east, overlooking the Maury River at Jordan's Point from high above. It was built in 1818 by and for Colonel John Jordan (1777 - 1854), one Lexington's most productive and best-known builders and businessmen.

In addition to Stono, Jordan (with his business partner from 1815 - 1824, Samuel Darst) is responsible for building part or all of numerous Lexington structures, including Washington Hall at W&L, Beaumont (home of Samuel Darst) and The Pines on Lee Avenue, the Dold Building, the former Rockbridge-Botetourt Library at 312 S. Main St., the Ann Smith School at Nelson and Lee, and the foundation stonework for the original VMI Barracks. (He is also thought to have executed brickwork at Jefferson's Monticello -- an 1805 letter exists in which he requests payment from the sitting president.) Jordan and Darst are credited with having been central in bringing the classical revival, and particularly Jeffersonian classicism, to Lexington.

According to The Architecture of Historic Lexington by Lyle and Simpson (from which most of the details in this post have been gleaned), Jordan also built roads and canals - including work on the canal from Richmond that eventually terminated just below his house at Jordan's Point - and the first covered bridge over the Maury at East Lexington.

Though presently owned by the VMI Foundation, and used as overnight accommodations for visiting "VIPs," almost 200 years ago Stono was surrounded by Jordan's "cotton, woolen, flour, grist, and lumber mills." That part is hard to imagine now:

A very civilized infirmary

The portico of the "new" VMI hospital.

This building, originally the house of Samuel F. Jordan (a local builder, son of prominent Lexington builder John Jordan), was purchased by VMI in 1870, and enlarged in 1909. At some point it replaced the old hospital, a relatively small building that has since been torn down.[*] (It had been completed just in time for an 1849 mumps epidemic in the corps, according to The Architecture of Historic Lexington.)

Yesterday's house is visible at the right.

Tomorrow I'll post a photo of the entrance to the recently renovated and expanded Stonewall Jackson Carilion Hospital, which serves the general area. I'll then let you decide where you would rather convalesce.

*[Update: The old hospital has certainly not been torn down as I had been told -- I just spotted it in one of my photos! Will post a picture of it at a later date.]

Football on the lawn

Tossing a football on the lawn between Doremus Gymnasium and Elrod Commons on the campus of Washington and Lee.

I took this picture a little while ago, but it's appropriate for the sort of weather we've had the last few days, as well. Last week: snow; this week: temperatures near 70° F (21° C).

White on white

White house, white picket fence, and snow.

We finally got a snow that stuck, though only an inch or two, and very wet, at that. The beauty of wet snow is that it sticks to everything -- though you need to be quick, in this climate, to enjoy it.

I had promised some morning light in January, and failed. Here's a little, four days late.

McCampbell Inn

The double porches and east (back) entrance of the McCampbell Inn, on Main St.

Built originally as a residence for John McCampbell in 1809, the building was enlarged several times, and its distinctive porches were added mid-19th century, before it was converted to the Central Hotel in 1907. In 1971 it was restored by the Historic Lexington Foundation, and now it goes by the name of the McCampbell Inn.

Greek inheritance

The Greek Revival pediment of Newcomb Hall against a fathomless blue sky.

The serenity, solidity and classic simplicity of this image seem fitting for the day after the nation's historic forty-fourth peaceful transfer of executive power.

Church on Sunday: Full moon

Manly Memorial Baptist Church at dusk; corner of Main and Preston streets.

"Manly" does not refer to the character of the congregation (though I wouldn't like to rule it out), but to the church's early 20th C. namesake. Formerly Lexington Baptist, it became"Manly Memorial" in honor of Dr. Charles Manly, pastor from 1903-1914. (The church's website states that in his day he was known as the "most universally beloved man in Lexington.")

The present church was built in 1920, in a rather eclectic style. In addition to the dome, Ionic capitals (above smooth, unfluted columns), and heavy, dentiled cornices, there is an impressive amount of contemporary stained glass in soft, opalescent colors -- greens, blue-greens, warm browns, lavenders and pinks -- that make a strange and interesting contrast to the brick and the many classical references.

Here is an example:

It's a very American ("Rules? -- what rules?") structure that, not surprisingly, also appears to take inspiration from Thomas Jefferson's Monticello (located about 56 miles [91 km] NE of Lexington, as the crow flies).